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Ravi Shankar
Biography, photographs, concert
and CD reviews.
Order
sheet music by Ravi Shankar.
Added on December 12, 2012
A musical giant has left us yesterday. On
December 11, 2012 Ravi Shankar died in a Californian hospital at the age of
92. The father of pop, soul and jazz singer
Norah Jones and sitar-player Anoushka Shankar had been treated for
heart and respiratory problems in a San Diego hospital.
The three-time Grammy winner Ravi Shankar is nominated for the 2013-Grammy
Awards with his album The Living Room Sessions Part 1 (Amazon.com,
Amazon.de and
Amazon.co.uk). In addition to his musical activities, Ravi Shankar was a
member of the Indian Upper House of parliament.

Article added on November 7, 2005
Nowadays, the title of living
legend is attributed in an inflationary way. If there is a musician who
truly deserves this title thanks to his contribution to music and to his
musical and physical longevity, it is the Indian composer and sitar virtuoso Ravi Shankar,
whose career began in 1930 and still continues.
Biography of Ravi Shankar
Ravi Shankar was born in Tilebhandeshwar Galli in Benares (Varanasi) on April 7, 1920.
By this time, his father, Shyam Shankar Chowdhury, was chief minister to the Maharaja of
Jhalawar and had left Ravi's mother Hemangini. The father married an English
Lady named Miss Morrell. She died around 1925, when the father was
practising law in Calcutta. He spent the rest of his life between London,
Geneva and New York. Ravi first met his father in 1928, when he came to
India with "Madam Henny from Holland, who was his latest girlfriend".
Shyam Shankar was a Brahmin, a member of the priestly caste, the
highest in the Hindu caste system. Born in the city of Jessore in East
Bengal, now Bangladesh, he was a statesman, lawyer, philosopher, writer and
amateur musician. He was a Sanskrit scholar who took his MA at Calcutta
University, became a Barrister-at-Law at the Middle Temple in London and a
Privy Council member and, in 1931, was awarded a Doctorate of political
science from the University of Geneva (where I studied myself, the world is
small). From about 1905 he served as Diwan or chief
minister to the Maharaja of Jhalawar, a small state in what is now
Rajasthan. During this period, he became estranged from his wife Hemangini
and remarried without divorcing. This was not unlawful in Indian then,
although rare and frowned upon. Shortly before Ravi's birth, he left to
practise law in Calcutta and London before gaining a legal position with The
League of Nations in Geneva. Later, he went on to teach Indian philosophy in
New York, at the invitation of the Roerich Museum and later Columbia
University.
Shyam Shankar had also studied yoga in a cave with a great yogi for almost
two years and Vedic chants in Benares (and possibly in Maharashtra too). "He
also specialized in voice culture, a technique designed to improve the
voice-throw system." This technique was used before microphones became
common. Ravi heard his father perform Vedic chants (mostly from Sama
Veda) in a chapel in Geneva, and was impressed by the reverberating
sound of his "powerful, clear, melodious and rich voice." Shyam also wrote
several books, only two of which have been published (in London), according
to Ravi Shankar: Buddha and his Sayings in 1914, Wit and Wisdom of
India in 1924, a collection of humorous Indian short stories. Among the
unpublished manuscripts, Ravi remembers seeing Light, Life, Law and Love,
a discussion of the Indian way of life, mostly regarding the ideas of Manu
Samhita.
Ravi's mother
Hemangini was from a small village in Nasrathpur, some seventy miles from
Benares. As Shyam's father, her father had been a prosperous zamindar
or landlord.
Together with three brothers, Ravi lived a precarious life with his mother,
who had seven sons. One was stillborn, one died at the age of ten months and
the oldest, Uday, born in 1900, had already left home to study fine arts at the Royal College of Art
in London. Ravi was by ten years
the youngest of the five sons surviving infancy.
Thieves and robbers on the staff of the aristocrats took substantial amounts
of the pension allocated to Ravi's mother by the Maharaja of Jhalawar. By
the time the pension reached the family in Benares, it had dwindled from 200
rupees to only 60 rupees per month. Shyam Shankar never sent money, probably
because he believed that they were provided for. Ravi's mother was too proud
to let his father know, who was a generous man who financially helped
students and his aunts, some of which were widows.
The name Ravi comes from Sanskrit and means the sun. In Bengali, his name
was originally Robindro or Robi. He only changed it to Ravi when he was
about twenty. As a boy,
Ravi studied only briefly at Bengalitola High School from 1927 to 1929, when
he met his brother Uday for the first time. In December 1930, he moved with
Uday's Indian dance and music troupe to Paris, where they first performed in
March 1931.
Ravi's father had not only studied Vedic chants, but, although not a
professional, since 1915 he had also produced a series of variety shows in London.
He would make suggestions to his oldest son Uday (called "Dada" by Ravi and
his brothers) about the choreography of the Indian dances he was performing.
Dada had received a Silver Medal of Merit at the Royal College of Art and
his mentor, Sir William Rothenstein, had great hopes for him as a painter.
But an invitation by his father to a performance by the legendary Russian
dancer and choreographer Anna Pavlova (1881-1931) at Covent Garden would
change Dada's life.
Pavlova had been to India before and was enchanted by what she saw there.
She was eager to do something with Indian dances and costumes, but felt she
couldn't do it herself. She proposed to Dada to assist her with two ballets,
Hindu Wedding and Radha-Krishna, which she produced as a part of
her Oriental Impressions presentation. This is how Uday came to spend
nine months touring Canada, the United States, Mexico and South America with
Pavolova's troupe, choreographing the two ballets and dancing the part of
Krishna, with the great Pavlova as Radha. Their collaboration lasted less
than a year. Before she died in January 1931, she had encouraged him to
concentrate more on traditional Indian rather than Western arts. This is was
Uday did. He became the first Indian superstar in the 1930s, a self-taught
one. He did not have his first guru until 1934, when he stayed in Calcutta,
where Ravi himself also got proper basic training in Indian dancing from
Sankaran Namboodri, who gave him a good idea of Kathakali. Uday's only other
period of training came when he lived in Almora, at the cultural center he
founded in the Himalayas. Uday lived with his troupe some five years in
Europe and also toured the world during this period, including his youngest
brother Ravi for most of the time.
In addition to his father Shyam Shankar and the great Pavlova, a third
person was instrumental in Uday setting up his own troupe, the wealthy Swiss
sculptress, painter and art historian Alice Boner (1889-1981) from Zurich.
In 1929, she helped him create the Uday Shankar Company of Hindi Dance and
Music. Alice Boner co-founded and then managed and financially supported the
troupe for five years. She met him in 1927 and together they traveled to
India in 1930 to organize his troupe, instruments and costumes. From 1936 to
1978, the city of Varanasi (Benares) became her home (further reading on her subsequent
live: Alice Boner Diaries: India 1934-1967. Delhi. ISBN:
81-208-1121-6).
In Paris in 1931 and 1932, Ravi Shankar frequented the
Ecole Saint Joseph, a Catholic school. Because of the language problem,
he had to enter in a lower class. "The only thing I benefited from was
learning French", he admits. This was the end of his academic career.
In the 1930s, Paris was still the art capital of the world. Ravi met many
artists, including Gertrude Stein, Henry Miller and Cole Porter. He
witnessed concerts by Pablo Casals, Fritz Kreisler, Jascha Heifetz, Andres
Segovia, Ignacy Jan Paderewski, Feodor Ivanovich Chaliapin and others.
However, he never met the famous Pavlova, who died too soon after his
arrival.
Apart of a few piano lessons in Paris, Ravi Shankar never had proper
training in Western music. Even today, he reads Western sheet music with
difficulty and cannot write in the Western notation system. Still, the many
concerts he witnessed and the records he listened to as a boy have helped
him understand Western music.
In 1932,
his mother returned to India whereas Ravi started touring with Uday's
troupe when he was twelve and a half. On March 3, 1931 already, the troupe had given its Paris debut. At
the beginning, Ravi was a dancer and modest
accompanying musician and secondary sitar player in Uday's troupe. Only in 1938, in an unexpected decision
against a life in luxury and glamour, Ravi decided to seriously study
the sitar with Ustad Baba Allauddin Khan in Maihar.
In the 1930s,
Ravi had the chance to tour Europe. The British, apart Londoners, were not
interested in Indian music. The best reception they got was in Germany. The
teenager was impressed by the intellectual and cultural side of the Germans.
He recalls that their knowledge of India was far ahead of that of the
French, Italians and the British. Ravi had also the chance to tour the
United States and, in 1934, India, where he saw his mother again after a
year and a half.
Before the tour, Ravi's father visited his family several times in Paris and
invited them to Geneva, where he worked for the League of Nations. Ravi had
the chance to stay there for some two weeks, the longest time he ever spent
with his father. In total, he recalls a few meetings with him in Paris, New
York and the first short visit in Benares. The total time he spent with his
father in his entire life would not add up to one month.
1932 was the year of Ravi's first trip to the United States, where he was
impressed by the skyline of
New York City,
arriving by boat in the early morning, with the skyscrapers gradually emerging
through the fog and haze. They were dressed like maharajahs, an idea of
Solomon Hurok, their impresario, "the greatest of all time", according to
Ravi Shankar. He knew how to sell an act. The title "Solomon Hurok
Presents..." alone was enough itself to ensure the success of a show. They
stayed at the St. Moritz, at the time one of the best hotels in town.
With the success of his troupe, Dada was becoming "extremely famous. In the
Thirties and maybe even at the beginning of the Forties, 'Shankar' was
actually the best-known Indian after Gandhi and Tagore. Dada was a
superstar", recalls Ravi.
During his four trips with Dada to the United States in the 1930s, 1932-33,
1933-34, 1936-37 and 1937-38, Ravi discovered his love for the cinema, Charles
Chaplin (article in German) being his favorite. With Dada's fame and Hurok
in the back, the Indian musicians could visit Hollywood anytime. There, the
actress Marie Dressler even wanted to adopt Ravi. But his two older
brother's said no. The boy was angry and cried. He dreamed of a life among
the film icons, becoming himself the first Indian star in Hollywood.
Over the years, Ravi also encountered many jazz musicians, including
Louis Armstrong
(article in German),
Duke Ellington (article in German), Count Basie and Cab Calloway at the
Cotton Club. The old jazz of that time was not as intellectual as today's
avant-garde varieties, but it appeals more to Ravi.
In late 1934, the sitar player Gokul Nag joined the troupe a short while. He impressed Ravi to the point
of reinforcing his interest in the sitar.
During the same time, Ravi attended the All-Bengal Music Conference in
Calcutta, where he met for the first time Ustad Allauddin Khan, the master
of the sarod and pioneer of modern Hindustani instrumental music, who later
became Ravi's guru. Allauddin Khan or Baba (literally 'father') was
performing with his son, the young Ali Akbar Khan.
In 1934, several members left Uday's troupe, including his brothers Mejda
and Sejda and his cousin Kanaklata. Uday managed to persuade Allauddin Khan to
join his troupe for a year as a soloist on their European tour beginning at
the end of 1935. Before, Ravi went with his brother Uday on a world tour
(Burma, Malaya, Singapore, Hong Kong, China, Japan and the USA). However,
the tour was to be cut short in a tragic manner.
In 1935, Ravi's father had given up his lectures on Vedanta and left
Columbia University and Roerich Foundation. He received three fabulous job
offers from India. He was invited to become the Diwan of Baroda
state, at the time the fourth biggest Indian state and tremendously rich. At
the same time, he was also offered a legal position within the government.
The third offer was a legal case in London, which he agreed to undertake on
his way to India. This was the famous case of the Pakur brothers, two rich
zamindars from Bengal, who were fighting a legal battle against each
other, which went to the Privy Council in London because it could not be
solved in India. It was one of the longest cases in history and involved
scandal, money and murder.
This article is based on
Ravi Shankar: Raga Mala - the autobiography of Ravi Shankar. Edited and
Introduced by George Harrison. Additional narrative by Oliver Caske. Afterword:
Yehudi Menuhin. Several editions, 336 p. Get it from Amazon.co.uk,
Amazon.com,
Amazon.de,
Amazon.fr.

Ravi Shankar. Photo © David Farrell, Archive Images, EMI. -
Order
sheet music by Ravi Shankar.

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The very best of Ravi Shankar, August 2010.. Order the double-CD from
Amazon.co.uk,
Amazon.com.
Amazon.de,
Amazon.fr or
Amazon.ca.

Ravi Shankar. Photo © David Farrell, Archive Images, EMI.
Ravi Shankar. Photo © Steve Ladner EMI.

Ravi Shankar. Foto © Steve Ladner EMI.

Ravi Shankar. Photograph © Ken Howard.

Ravi Shankar: Raga Mala - the autobiography of Ravi Shankar. Edited and
Introduced by George Harrison. Additional narrative by Oliver Caske. Afterword:
Yehudi Menuhin. Several editions, 336 p. Get it from Amazon.co.uk,
Amazon.com,
Amazon.de,
Amazon.fr.
Especially the part of the book about Ravi's childhood is rich on information
about India and its culture. This book is a must for anybody interested in Ravi Shankar
and sitar music. It is the basis for the biographical article on this page.

Ravi Shankar: Ragas & Talas. Angel, 2000. Get it from Amazon.com,
Amazon.co.uk,
Amazon.de
or Citydisc
Schweiz.

Ravi Shankar: Three Ragas. Angel, 1956, remastered in 2000. Get the CD
from Amazon.com.
One of my favorite CDs.
Ravi Shankar: Live at the Monterey International Pop Festival. Angel
Records, 1967, remastered 1998. Get the CD from Amazon
or Amazon.de.
Ravi Shankar himself considers the concert one of his finest performances.
Ravi Shankar: Improvisations. Angel, 1962, remastered 1999. Get the CD
from Amazon.com
or Amazon.de.
Ravi Shankar, Yehudi Menuhin: West Meets East. Angel, remastered 1999.
Get the CD from Amazon.com,
Amazon.de,
Amazon.fr.
Ravi Shankar, Yehudi Menuhin, André Previn & London Symphony Orchestra,
Zubin Mehta & London Philharmonic Orchestra. EMI, 1976, 1982. Remastered
1998. EMI 2005. Get the CD from Amazon.com,
Amazon.co.uk
or Amazon.de.

Ravi Shankar: Genesis. Milan/BMG, 1995/2001. Different covers. Get it
from Amazon.de,
Amazon.fr
or Amazon.co.uk
.

Ravi Shankar: Full Circle-Carnegie Hall 2000. Live-recording. Angel,
2001. Get it from Amazon.co.uk
or Amazon.com.
In 1938, 17-year-old Ravi Shankar made his first appearance at New York's Carnegie
Hall as a dancer and musician in his brother Uday's troupe. Some 60 years
later, the leading sitar player and composer returned to NYC, this time with his
19-year-old daughter and protégée Anoushka. They performed the nighttime
raga "Kaushi Kanhara" and the light, romantic "Mishra Gara".
The two tabla players were Bikram Ghosh and Tanmoy Bose.

Ravi Shankar: Chants of India. EMI, 1997. Get it from Amazon.co.uk,
Amazon.fr.

Double DVD Set by BBC Opus Arte: Ravi Shankar 'Between Two Worlds'.
Running Time 190 minutes. DVD
1: Documentary. Ravi Shankar filmed in India and American during two years. The
master remembers his childhood and his career, illustrated by archive footage.
He is teaching a master class in New Delhi, including his daughter Anoushka.
Touching is the sequence
showing his family, including his daughters Anoushka Shankar and Norah Jones, watching French
archive footage on DVD. Dating from 1932 in Paris, it shows brother Uday
dancing, little Ravi playing the sitar. The original French subtitles mention:
"M. Uday Shankar et sa troupe nous donnent un aperçu des véritables danses
sacrées de l'Inde accompagnées par de bizarres instruments jusqu'alors inconnus
en France." As it turned out later, Ravi Shankar would not only become a master
of one of these "bizarre instruments", but make the sitar known all over the
world. DVD 2: Includes footage of Ravi Shankar live in concert at Union Chapel
in London in 2002 as well as a short introduction to Indian classical music and
to the sitar by the master. Get the Double DVD Set from
Amazon.com,
Amazon.co.uk,
Amazon.de.
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